Tuesday, August 18, 2026

Ne devenez pas une femme fatale

There is a moment that comes after the old self has already left. The restless part.

The mind starts pacing. It wants a story. Any story.
It wants a decision. Any decision.
Just to end the open space. This is the most dangerous place. Here the usual protections fail.

I’ve written about this unfinished space before in more detail here: Lest Despair Dig Its Own Grave.

Intelligence does not protect you.
Talent does not protect you.
Fame does not protect you. Amy Winehouse had the voice, the gift, the recognition, the sharp mind.

She had almost everything people believe should be enough. It was not enough. The decisions that mattered were not made by her talent,
not by the people who loved her,
not even by her intelligence. They were made by the state of her will.

In this interval the mind will offer many convincing exits.
Some look like relief.
Some look like honesty.
Some even look like strength. Most of them are traps.

The real choice is almost never made by the mind.
It is made by the will — or by its absence. And the will is not permanent.
It can be slowly eroded.
Or quietly protected.
Or rebuilt in small, unnoticed acts.

There will be more of these intervals.
This is not a single crisis.
This is how a life actually continues.

Learning to stay steady in these intervals is a skill of its own — I explored it further in How to Stay Steady When Your Personal World Is Cracking.

The only question that matters is whether,
when the mind starts pacing again,
there will still be enough will left
to refuse the first easy story it tries to sell.

Sunday, March 22, 2026

Lest Despair Dig Its Own Grave


It is strange how quiet it can be when something ends without announcement.

One day you simply notice that the person you used to be is no longer reachable. Not gone in a clean, final way. Just… unavailable. Like a phone number that still exists in your contacts but no longer connects.

The old reactions feel foreign. The old ambitions sit there like clothes that somehow became the wrong size overnight. Even some of the softer things — the private hopes, the quiet preferences — seem to belong to someone who left without saying goodbye.

And nothing has taken their place yet.

You wait for the new shape to appear. It doesn’t. You try to invent one. It feels thin, temporary, almost dishonest.

So you stay in this odd middle space where the previous version has already slipped away and the next one has not bothered to show up.

The restless part

This is where the mind starts pacing.

It wants a story. Any story.
“This is the end of me.”
“I peaked already.”
“Everything meaningful is behind.”
“I should have held on harder.”

The thoughts do not arrive in order. They circle. They contradict each other. One hour you feel strangely light, almost relieved that the old weight is gone. The next hour the same emptiness feels like a threat.

You catch yourself looking for signs that the new version is beginning. A sudden interest in something. A different kind of tiredness. A sentence that sounds true in a way the old sentences no longer did. Most of the time there is nothing clear. Just the same open, unformed space.

It is tempting to call this failure. It is also tempting to call it a necessary stage and then try to skip to the end of it.

Both moves feel a little forced.

What if it is simply unfinished

Sometimes I think we treat this in-between as a problem only because we have so little practice staying inside it.

We know how to be someone. We know how to become someone new when the path is obvious. We are much less familiar with the long, awkward interval where the previous shape has dissolved and the next one is still deciding whether to arrive.


The mind hates this interval. It keeps offering conclusions so the discomfort will stop. Some of those sentences feel true for a while. Then they feel exaggerated. Then they feel true again.

The body registers the same confusion in its own language: a heaviness that is not quite exhaustion, a restlessness that is not quite anxiety (the body often arrives at tiredness first). A softness that sometimes feels like surrender and sometimes like giving up.

I do not know which interpretation is correct on any given day.

What I notice is that the more I try to force a clear verdict — “this is good” or “this is bad” — the more the space tightens. And the more I let the uncertainty stay open, the more breathable it becomes, even when it is still uncomfortable.

This quiet ability to stay with “I don’t know” without turning it into a problem reminds me of something I once wrote about enlightenment: it is less a dramatic arrival and more a gentle return to what was already here (Joke and Enlightenment).

The slow agreement

Not the caution of someone walking on ice, but the quieter kind: the caution of not deciding too early that the emptiness is permanent.

Despair is rarely a single decision. It is more like a slow agreement with the most tired thought in the room. Once that agreement is made, everything begins to arrange itself around it.

I have watched myself almost make that agreement more than once. The pull is strong. It would be simpler, in a way, to declare the chapter closed and stop waiting for something that refuses to announce itself.

And yet something in me keeps hesitating to close it completely.

Maybe because the old version did not leave a clear message that nothing else is possible. It just left.

Just unfinished

So I try, on the better days, to treat this interval as unfinished rather than failed. Not as a sacred pause full of hidden meaning. Just unfinished.

I keep the smallest things working: sleep when I can, walk when the body asks, let a few quiet minutes exist without demanding that they produce insight (the small permissions we often forget). I notice the days when the emptiness feels almost neutral instead of hostile. I notice the days when it feels unbearable. Both seem allowed.

I do not know who I am becoming. I only know that the previous version is no longer here to answer for me.

There is a strange honesty in that.

Perhaps the new shape will arrive eventually, in its own uneven way. Perhaps it is already forming in places I cannot yet see. Or perhaps this open space itself is what remains for longer than I expected.

I cannot tell from here.

The only thing that feels workable is not to turn the not-knowing into a final judgment too quickly — the same steady presence we try to keep when the personal world is cracking.

The old version has already gone.
The new one has not yet spoken.

For now, that is the whole landscape.
Uneven.
Unfinished.
Still capable of surprising me, if I do not decide too soon that it is empty.

There is no dramatic rescue in this place.
No sudden revelation that makes the emptiness meaningful.

There is only the quiet decision, repeated as many times as needed:
not to let despair finish the work that the old self already left incomplete.

The ground is still open.
That, for now, is enough.